Chris Cunningham x Aphex Twin
Remember this video directed by Chris Cunningham? See full video here.
Fast fact, the French term for window shopping is faire du lèche-vitrine, which literally translates to “licking the windows”.
To get free tickets to see Chris Cunningham’s latest work at Audi City London on July 19th & 20th follow @audicity on Twitter and wait for our special tweet.
Flex x Chris Cunningham
This incredible video installation Flex was commissioned by the Anthony d’Offay Gallery for the Apocalypse: Beauty & Horror in Contemporary Art exhibition curated by Norman Rosenthal and Max Wigram at the Royal Academy of Arts.
In 2007, an excerpt from Flex was shown in the Barbican’s exhibition Seduced: Art and Sex from Antiquity to Now curated by Martin Kemp, Marina Wallace and Joanne Bernstein. The work was shown alongside other pieces by Bacon, Klimt, Rembrandt, Rodin and Picasso.
To get free tickets to see Chris Cunningham’s latest work at Audi City London on July 19th & 20th follow @audicity on Twitter and wait for our special tweet.
Monkey Drummer
Do we come from monkeys and are we turning into machines? This short film, Monkey Drummer, by Chris Cunningham, shows a figure with a monkey head and human appendages mechanically drumming a frenetic rhythm. Each body part moves in an authentically human way but seems to be controlled by a machine.
monkeydrummer from Mufzewell on Vimeo.
The film premiered at the Venice Biennale of Art in 2001. The music is made by Aphex Twin and is the tenth track on their album, drukqs. Sigtryggur Baldursson or “Siggi” of the Sugarcubes was shot several times drumming and then his torso was cut out in post production to be replaced by the robotic trunk.
Win tickets to see Chris Cunningham’s latest work here.
Chris Cunningham x Audi City
Chris Cunningham is a relentlessly experimental creator who defies categorisation. His work is shaped by the sci-fi films and electronic music he devoured in his youth. The frenetic, wildly inventive music videos he made for Aphex Twin ( “Windowlicker”, “Come to Daddy”) and Bjork ( “All Is Full of Love”) redefined the form and has influenced high fashion, advertising, blockbuster movies and low-budget horror flicks alike over the last decade.
In recent years he has moved further away from the music video genre and now creates independent video works, which no longer have their starting point as commissions. His video and sound art has been shown in the Museum of Modern Art in New York, the Venice Bienalle, the Barbican, the Anthony D’offay gallery amongst others and his live show at The Royal Opera House, The Roundhouse and Royal Festival Hall.
Chris has created his own disturbing visual language, that pits the grotesque imperfections of human anatomy against high technology embodied in robots and hallucinatory motion effects.
Always driven forward by its ethos of Vorsprung durch Technik, Audi City is a new venture that uses technology to create space in the city centre. For five days in Mayfair, Audi reveals a site-specific installation of Chris Cunningham’s latest work. Enormous industrial robots veer around one another in a mysterious room. Their motors are syncopated with the room’s metronome and they embark on a frenetic interchange over a mechanical ‘brain’.
Stay tuned for more information on the installation and how YOU can win tickets to experience this artwork.
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