Chris Cunningham x Audi City
Chris Cunningham is a relentlessly experimental creator who defies categorisation. His work is shaped by the sci-fi films and electronic music he devoured in his youth.  The frenetic, wildly inventive music videos he made for Aphex Twin ( “Windowlicker”, “Come to Daddy”) and Bjork ( “All Is Full of Love”) redefined the form and has influenced high fashion, advertising, blockbuster movies and low-budget horror flicks alike over the last decade.
In recent years he has moved further away from the music video genre and now creates independent video works, which no longer have their starting point as commissions. His video and sound art has been shown in the Museum of Modern Art in New York, the Venice Bienalle, the Barbican, the Anthony D’offay gallery amongst others and his live show at The Royal Opera House, The Roundhouse and Royal Festival Hall.
Chris has created his own disturbing visual language, that pits the grotesque imperfections of human anatomy against high technology embodied in robots and hallucinatory motion effects.  
Always driven forward by its ethos of Vorsprung durch Technik, Audi City is a new venture that uses technology to create space in the city centre. For five days in Mayfair, Audi reveals a site-specific installation of Chris Cunningham’s latest work.  Enormous industrial robots veer around one another in a mysterious room.  Their motors are syncopated with the room’s metronome and they embark on a frenetic interchange over a mechanical ‘brain’. 
Stay tuned for more information on the installation and how YOU can win tickets to experience this artwork.
Follow us on Twitter here.

Chris Cunningham x Audi City

Chris Cunningham is a relentlessly experimental creator who defies categorisation. His work is shaped by the sci-fi films and electronic music he devoured in his youth.  The frenetic, wildly inventive music videos he made for Aphex Twin ( “Windowlicker”, “Come to Daddy”) and Bjork ( “All Is Full of Love”) redefined the form and has influenced high fashion, advertising, blockbuster movies and low-budget horror flicks alike over the last decade.

In recent years he has moved further away from the music video genre and now creates independent video works, which no longer have their starting point as commissions. His video and sound art has been shown in the Museum of Modern Art in New York, the Venice Bienalle, the Barbican, the Anthony D’offay gallery amongst others and his live show at The Royal Opera House, The Roundhouse and Royal Festival Hall.

Chris has created his own disturbing visual language, that pits the grotesque imperfections of human anatomy against high technology embodied in robots and hallucinatory motion effects.  

Always driven forward by its ethos of Vorsprung durch Technik, Audi City is a new venture that uses technology to create space in the city centre. For five days in Mayfair, Audi reveals a site-specific installation of Chris Cunningham’s latest work.  Enormous industrial robots veer around one another in a mysterious room.  Their motors are syncopated with the room’s metronome and they embark on a frenetic interchange over a mechanical ‘brain’. 

Stay tuned for more information on the installation and how YOU can win tickets to experience this artwork.

Follow us on Twitter here.