Chris Cunningham
jaqapparatus 1 launches at Audi City London


From his formative years sculpting alien heads to his recent “jaqapparatus 1” robotic performance-art installation, seminal music video director-turned-artist Chris Cunningham retraces his varied and critically acclaimed career in this personal, self-directed short. One of an elite group of directors alongside Spike Jonze, Michel Gondry and Jonathan Glazer who redefined MTV in the 1990s, Cunningham elevated the pop promo to a burgeoning art form with daring and disturbing music videos for the likes of Aphex Twin, Björk and Madonna. While his peers graduated to the big screen, Cunningham went underground, quit making promos and commercials, and spent the best part of a decade experimenting with fusions of film, music, art and technology that culminated in a string of live audio-visual performances at festivals in Japan and Europe. For “jaqapparatus 1”, his first installation unveiled last month at the Audi City London high-tech concept store—a shadowy, sci-fi set involving two laser-firing robots locked in what seemed like a brutal mating ritual-cum-war—Cunningham cast two Talos motion-controlled camera rigs as his anthropomorphized protagonists. “Mounted on the robots heads are powerful lasers which they use to attack, repel and communicate with each other,” explains Cunningham, “a kind of duel, a surreal mating display which sees each machine trying to dominate the other.”

Chris Cunninghamjaqapparatus 1 launches at Audi City London

 From his formative years sculpting alien heads to his recent “jaqapparatus 1” robotic performance-art installation, seminal music video director-turned-artist Chris Cunningham retraces his varied and critically acclaimed career in this personal, self-directed short. One of an elite group of directors alongside Spike Jonze, Michel Gondry and Jonathan Glazer who redefined MTV in the 1990s, Cunningham elevated the pop promo to a burgeoning art form with daring and disturbing music videos for the likes of Aphex Twin, Björk and Madonna. While his peers graduated to the big screen, Cunningham went underground, quit making promos and commercials, and spent the best part of a decade experimenting with fusions of film, music, art and technology that culminated in a string of live audio-visual performances at festivals in Japan and Europe. For “jaqapparatus 1”, his first installation unveiled last month at the Audi City London high-tech concept store—a shadowy, sci-fi set involving two laser-firing robots locked in what seemed like a brutal mating ritual-cum-war—Cunningham cast two Talos motion-controlled camera rigs as his anthropomorphized protagonists. “Mounted on the robots heads are powerful lasers which they use to attack, repel and communicate with each other,” explains Cunningham, “a kind of duel, a surreal mating display which sees each machine trying to dominate the other.”

Raqs Media Collective

The Delhi-based trio Raqs Media Collective are Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. To describe them as artists doesn’t quite cut it. They make videos, high-tech objects, installations and online projects exploring a world reshaped by globalisation, from the blazing lights of India’s rapaciously evolving cities to the shabby gloom of a Tyneside dock. Since they founded Sarai, their Centre for the Study of Developing Societies, in Delhi in 2000, they’ve reached far beyond art’s usual bounds, developing media projects with local communities, conducting urban research, editing a journal and curating international exhibitions.” - The Guardian

The Guardian: “Artist of the week 182: Raqs Media Collective”

(via artsquare)

Raqs Media Collective
“The Delhi-based trio Raqs Media Collective are Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. To describe them as artists doesn’t quite cut it. They make videos, high-tech objects, installations and online projects exploring a world reshaped by globalisation, from the blazing lights of India’s rapaciously evolving cities to the shabby gloom of a Tyneside dock. Since they founded Sarai, their Centre for the Study of Developing Societies, in Delhi in 2000, they’ve reached far beyond art’s usual bounds, developing media projects with local communities, conducting urban research, editing a journal and curating international exhibitions.” - The Guardian
The Guardian: “Artist of the week 182: Raqs Media Collective”
Rio coming up
Rio de Janeiro, known for its beautiful beaches and hard bodies, will come into itsown as a truly global city when it hosts upcoming international events, including the 2012 Rio +20 Conference, the 2014 FIFA World Cup and the 2016 Olympic Games. 
Nightscapes
azurebumble:

Martin Stavars : “Nightscapes – Tokyo” Series (Photography)

Nice license plate!

coconutzo:

Look what I parked in front of this morning. #audi #licenseplate (Taken with Instagram)

Nice license plate!
coconutzo:

Look what I parked in front of this morning. #audi #licenseplate (Taken with Instagram)
When robots rule the world…
“Grossman pointedly questioned Kurzweil about the potential loss of our “human nature” in a world dominated by artificial intelligence. But Kurzweil linked the future of our “human-machine civilization” to the full sweep of human history: “Ever since we first picked up a stick to reach a tree branch,” he said, we have been creating tools to aid our existence. So he sees the futuristic nanotechnology and artificial intelligence purely as tools that will serve as extensions of our humanity. Also: Just as today the data one access on their iPhone exists both within the phone and out in the cloud, he envisions a future where not only are nanobots being added to our bodies but where our brains being augmented by processing power in the cloud. Where search engines do not need to be prompted to offer helpful information, but instead grow intuitive, providing us information as we need it. As Kurzweil sees it, this is about expanding our intellect, and our capabilities, not deferring all this to machines.” - Time Techland
futuristgerd:

(via Inside the Mind of Futurist Ray Kurzweil: When Robots Rule the World (and Humans are Immortal) | Techland | TIME.com)
Worth watching … if a bit scary:))
Drawing with traffic
A stealth R8
premi3r:

Audi R8
Yield to Pedestrians (or sleepers)
City crashing